works > CLIENT

Words of the Ear
polyurethane film, stainless steel
81.5 × 158cm
2018
Words of the Ear
plywood, stainless steel, haze machine, timer, ventilation fan
81.5 × 158cm
2018
Functioning Person
reflector, light stand, weights, motor
86 × 271.5cm
2018
Functioning Person
reflector, light stand, weights, motor
180 × 128cm
2018
Shine Hill
HD video, color, sound, 19 min 47 sec
2018
Shine Hill
carpet, mixed media
dimensions variable
2018

2018 Art Sonje Project #3: CLIENT - Yi Yunyi

3 May – 3 June, 2018
Art Sonje Project Space (1F)
87 Yulgok-ro 3-gil, Sogyeok-dong, Jongno-gu, Seoul

Organized by Art Sonje Center
Supported by Seoul Museum of Art

Photo by Yeonje Kim
Technician Gualho

Art Sonje Center is presenting 2018 Art Sonje Project #3: Yi Yunyi – CLIENT from May 3 to June 3, 2018. By recording one’s history through an “Oral History” by various speakers, this exhibition attempts to traverse the world and “time and space” that are dichotomized into the concept of “me” versus “others”. Unlike written history and information, oral history is based on subjective recollections and experiences, which presumes a “listener” and “present.” Oral history is relationship-oriented, yet it is also a variable form of storytelling in which the speaker’s memories may be unclear or distorted by personal emotions. Characters in the video take prophetic dreams and past life reading as their form of storytelling among the different types of oral histories. Through this approach, the exhibition asks questions of reciprocality, replicability, and autonomy (passivity) of relationships.

The black box where Shine Hill (2018) is shown also functions as a kind of installation. A hill-like structure that is similar to the shape of golf course is built in the screening room. It connects the screen to seats for the audience and extends the narrative of the work—which is a mixture of fiction and reality to the space.

Words of the Ear (2018), is an installation consisting of two pillars. They were designed to replicate pillars already existing in the exhibition hall. These (phantom) pillars are made with a mixture of unorthodox materials. They refuse to exist as functioning objects. Instead, they stand as monuments of the uncertainty and undefined situation that the whole exhibition refers to. These strange pillars, which are made with transparent and opaque materials, support the narrative and structure of the Shine Hill (2018), which encompasses the concurrent concepts of past/future, fact/fiction, speaker/listener, and completed/open state of events. In addition to the pillars, installations made of reflectors in different shapes are placed throughout the space. With their “folded ears,” they function to constantly disrupt the light, the language, and the context.

texts by Art Sonje Center